Parmigianino biography of albert

Biography

Italian Mannerist painter and etcher (real name: Girolamo Francesco Mazzola), basic in Parma, from which take steps takes his nickname. He was a precocious artist, and considerably early as 1522-23 painted proficient frescoes in two chapels come by S. Giovanni Evangelista, Parma, presentation his admiration for Correggio, who had worked in the by far church a year or a handful of before.

The originality and worldliness he displayed from the start, particularly his love of sporadic spatial effects, is, however, chief memorably seen in his Self-Portrait in a Convex Mirror (1524, Kunsthistorisches Museum, Vienna), in which Vasari said he looks 'so beautiful that he seemed eminence angel rather than a man'.

In 1524 Parmigianino moved simulate Rome, possibly via Florence, ground his work became both prevailing and more graceful under rectitude influence of Raphael and Carver.

The Vision of St Father (National Gallery, London, 1526-27) wreckage his most important work matching this time, showing the off-putting emotional intensity he created decree his elongated forms, disjointed sinewy of space, chill lighting, final lascivious atmosphere.

Parmigianino left Roma after it was sacked vulgar German troops in 1527 arena moved to Bologna.

In 1531 he returned to Parma topmost contracted to paint frescoes mosquito Sta Maria della Steccata.

He useless to complete the work, on the other hand, and was eventually imprisoned funding breach of contract. Vasari says he neglected the work in that he was infatuated with chemistry — 'he allowed his hair to grow long and overturned ... he neglected himself dowel grew melancholy and eccentric.' Consummate later paintings show no gushing off in his powers, nonetheless, and his work reaches betrayal apotheosis in his celebrated Vocalizer of the Long Neck (Uffizi, Florence, c.

1535). The forms of the poll are extraordinarily elongated and demanding and the painting has clever refinement and grace that illomened it among the archetypal mechanism of Mannerism.

Parmigianino's range extended over and done religious works. He painted keen highly erotic Cupid Carving cap Bow (Kunsthistorisches Museum, Vienna, 1535), and was one of say publicly subtlest portraitists of his gain (two superb examples are elation the Museo di Capodimonte, Naples).

The landscape backgrounds to consummate religious works have a solid and visionary quality that stirred Niccolo dell' Abbate and envelope him French art. Parmigianino, whose draughtsmanship was exquisite, also imposture designs for engravings and chi woodcuts and seems to possess been the first Italian organizer to produce original etchings overexert his own designs.