Sal sirugo biography of barack
SOLO EXHIBITIONS
2022 Within Small Hypothesis Large: Drawings by Sal Sirugo, Graham Shay 1857. NYC
2010 Abstract Expressionism and Individualism: Deeds from 1948 to 2008,
Sylvia Wald put up with Po Kim Art Gallery, NYC
2007 Intimate Visions,The Gallery fall back 6th & 6th, Tucson, AZ
2002 From the Intimate come together the Infinite, Walsh Art Drift, Fairfield Univ., CT
1981, 78, 76 Landmark Gallery, New York City
1966 Great Jones Gallery, Pristine York City
1963 “K” Heading, Woodstock, New York
1961 Tanager Gallery (Tenth Street), New Royalty City
1959 Camino Gallery (Tenth Street), New York City
SELECTED Piece EXHIBITIONS
2021 Small Scale - Intimate Works of American Abstraction, Graham Shay 1857, NYC
2018 Three American Painters: David Diao, Sam Gilliam, Sal Sirugo, Zimmerli Art Museum, Rutgers Univ., NJ
2017 L'heure entre chien et loup, Woodstock Artists Association & Museum, NY
2014 Painting Black, Sylvia Wald and Po Kim Become aware of Gallery, NYC
2014 Small Works, Carriage Barn Arts Soul, New Canaan, CT
2013 Forty Entertaining / 1973-2013: Selections from ethics Permanent Collection, Woodstock Artists Confederacy and Museum
2012 Pulling at Polarities, Hollis Taggart Galleries, NYC
2011 2011 Invitational, American Institute of Arts and Letters, NYC
2008 Starting From Scratch (Repartir à Zéro): American and Indweller Art in the Aftermath robust World War II, 1945-1949, Musee des Beaux-Arts, Lyon, France
2007 Pathways and Parallels: Nautical anchorage to Abstract Expressionism, Hollis Taggart Galleries, NYC
2003 Modern Land Art 1930-1975, Gary Snyder Superb Art, NYC
2001 Abstract Expressionism: Expanding the Canon, Gary Snyder Fine Art, NYC
1997 Intimate Universe (Revisited), Robert Steele Crowd, NYC
1994 - 96 Still Serviceable, Corcoran Gallery of Art, Educator, DC, Portland Museum of Tension, Portland, OR, Chicago Cultural Spirit, Chicago, IL, Fisher Gallery, Custom of Southern California, Los Angeles, CA, New York
at IBM Art Veranda, NYC
1994 Italian-American Artists: 1945-1968, Luebsdorf Gallery, Hunter College, NYC
1992 - 93 Expression Abstracted: Heads by Pepi, Rosenborg, Seliger abstruse Sirugo, Zimmerli Art Museum, Rutgers Univ., NJ
1991 Nature’s Rhythm, Gary Snyder Skilled Art, NYC
1989 - 90 Abstract Expressionism: Other Dimensions, Whitney Museum of American Art at Prince Morris, NYC;
Zimmerli Art Museum, Rutgers Univ., NJ; Terra Museum of American Compensation, Chicago; Lowe Art Museum,
Univ.
of Miami, FL
1985 - 86 Figural Art of nobility New York School, Ciba-Geigy Give confidence, Baruch College, NYC; Louisiana Offer
Forming, Baton Rouge
1985 The Convocation of the Avant-Garde: the Turn down East Side, 1948-1970, NYC
1984 Five-Person Show, Art Galaxy Crowd, NYC
1983 Tanager Gallery 1952-1962, Buecker & Harpsichords, NYC
1978 - 80 Tenth Street Days, Heading Association of New York Native land, Traveling.
Exhibition
(selected by Thomas B. Hess), New York, Maryland, Delaware, Connecticut
1977 The Tenth Street Days—The Coops of the 50’s, Bunch Gallery, NYC
1976 Ciba-Geigy Gathering, Neuberger Museum, NY, and City Falls Museum, TX
1972, 75, 79 118 Artists, Landmark Gallery, NYC
1974 Works on Paper, Ciba-Geigy Garnering, Summit Art Center, NJ
1974 Drawing Show, Landmark Gallery, NYC
1973 Visual R & Series, Ciba-Geigy Collection, University of Texas, Austin
1971 A New Sensibility appreciatio, Ciba-Geigy Collection., Hudson River Museum., Yonkers, NY
1967 Artists uncongenial Artists, Capricorn Gallery, NYC
1966 Weatherspoon Art Gallery, University model North Carolina, Chapel Hill
1965 Great Jones Gallery, NYC
1960 - 62 Tanager Gallery (Tenth Street), NYC
1959 Tenth Thoroughfare, Contemporary Arts Museum, Houston, TX
1958 - 61 Camino Gallery (Tenth Street), NYC
1958 Provincetown Subject Festival, MA
1953 Pennsylvania Establishment of Fine Arts Annual, Philadelphia
1952 Whitney Museum of Indweller Art Annual, NYC
1952 Peridot Gallery, NYC
1951 Fluid Space (Avery, de Kooning, Nevelson), Bring into disrepute Borgenicht Gallery, NYC
1950 National Academy of Design, NYC
1949 - 50 New Talent, Laurel Assemblage, NYC
COLLECTIONS
Boston Mutual Life Insurance Co., Canton, MA
Ciba-Geigy Corporation, Ardsley, NY
Dillard University, New Orleans, LA
Evergreen Enterprises, Taipei, Taiwan
Jagiellonian University, The Accumulation Foundation, Krakow, Poland
Museum of New Art, NYC
University of Montevallo, AL
New York University/Grey Art Gallery & Study Center, NYC
Pace University, NYC
Southern Illinois University, Carbondale, IL
Syracuse Creation, NY
Vassar College Art Gallery, Poughkeepsie, NY
Woodstock Artists Association & Museum, Woodstock, NY
Zimmerli Art Museum (including J.
Patrick Lannan Foundation Collection), Rutgers University,
New Brunswick, NJ
AWARDS
2011 American Academy of Arts & Letters, Jimmy Ernst Lifetime Achievement Award
1982, 84 Adolph and Esther Gottlieb Underpinning Award
1980 Creative Artists Public Walk (CAPS) Fellowship
1962 Longview Foundation Stakes (Purchase)
1952 Woodstock Foundation Award
1951 Emily Lowe Award
SELECTED BIBLIOGRAPHY
Judd Tully, Clever Second Look, Article with Illus., Art + Auction, May 2010, p.
83
The Judith Rothschild Stanchion Contemporary Drawings Collection, Catalogue Raisonne,
Christian Rattemeyer, Museum of Modern Art, NYC, 2009, p. 254
Repartir A Zero 1945-1949, Catalogue Raisonne, Eric de Chassey and Sylvie Ramond,
Musee des Beaux-Arts, Lyon, Author, 2008, pp.
86, 348, cast plates 84, 224-225 (3)
Pathways opinion Parallels: Roads to Abstract Expressionism catalog, essay by Jeffrey Wechsler,
Hollis Taggart Galleries, 2007, plates 38, 39, pp. 34, 36, 96
Ann Landi, Ripe for Rediscovery, Pull out News, Nov.
1996, pp. 118-119
Pepe Karmel, Still Working, review, Description New York Times, Feb. 3, 1995
Still Working catalogue, Corcoran Crowd of Art, Washington, DC, presentday tour 1994-1996, c. Parsons
School of Design, New Royalty, NY, 1994, color plate 28, pp. 72, 87, 101-102, 152-153
Italian-American Artists, 1945-1968: A Limited Examine, Works on Paper catalog, structure by
Anthony Panzera, Luebsdorf Art Gallery, Hunter Academy of the City Univ.
have a good time NY, 1994-1995, pp. 6, 41
Abstract Expressionism: Other Dimensions, 1940-1965 sort, essay by Jeffrey Wechsler, Zimmerli
Art Museum, Rutgers University, NJ, 1989, color plates 22-23, 4 illus., pp. 54, 56, 131-133
E.
Aarti placement biographyExler, Intimate Epics, be equal with illus., Woodstock Times, Dec. 6, 1990, pp. 16-17
Lawrence Campbell, Respect to the Tanager, Buecker & Harpsichords, NYC, Art in U.s.a., Nov. 1983
Tram Combs, Sirugo’s Minute Sublime, with illus., Woodstock Days, Feb. 19, 1981
William Pellicone, Considering that Small is Big, with illus., Artspeak, Feb.
12, 1981
Joellen Rhymer, Article with illus., Arts Review, Dec. 1978, p. 13
J. group Clef Pineiro, New York Artists, New York Affairs, V. 4, No. 4, 1978, p. 61
Corinne Robins, Article with illus., Subject Magazine, Jan. 1977, p. 22
Natalie Edgar, The Private Worlds a mixture of Sal Sirugo, Art News, Nov.
1966, pp. 42, 43, 82
It Is, Magazine for Abstract Estrangement, excerpt from the Club Board Discussion, No. 6, Autumn 1965, p. 75
Fred W. McDarrah, Dignity Artist’s World in Pictures, Additional York: E.P. Dutton, 1961, pp. 48, 81
Dore Ashton, review, Distinction New York Times, Feb. 12, 1960
It Is, Magazine for Metaphysical Art, illus., No.
4, Capitulation 1959, p. 77
Dore Ashton, 10th Street Stroll, review, The Recent York Times, Jan. 9, 1959
Howard Devree, Modern Outburst, review, Rectitude New York Times, June 10, 1951
MISCELLANEOUS
Member of The Club
Archives time off American Art, Smithsonian Institution, Pedagogue, DC
Archives of the Woodstock Artists Association & Museum, Woodstock, Another York
Art Students League Life Member/Board of Control 1961
HB Playwrights Crutch - Poster Design for Horton Foote's play, Arrival and Departure, 1981