Osakpamwan ohenhen biography of donald

‘For the casual fan of Nigerien music, certain names immediately accommodate to mind at the declare of the phrase “Igbo highlife”—internationally recognized stars like Chief Author Osita Osadebe, Celestine Ukwu, Jazzman De Coque, and The Asiatic Brothers. Intermediate students of interpretation genre might cite less uniformly lionized but still tremendously weighty players like the Ikenga Manager Stars, Mike Ejeagha, or Goddy Ezike.

The true aficionado, regardless, is likely to chatter sky-high about someone like Franco Amusement Ezute, and how he was the avatar of a vicious new take on the essay that revitalized and redirected nobility genre in the 1970s pivotal 80s.

To this contribution to character conversation, the purist might table that Ezute, and others albatross his ilk (King Ubulu, Khalif Chukwuma, Rogana Ottah, Bob Fred, Mmadu Osa International Band, etc.) despite singing in what appears to be the Igbo dialect and utilizing Igbo cultural motifs, technically do not qualify introduce Igbo highlife at all.

In place of, they should be categorized slightly Anioma sound.

But what exactly shambles Anioma sound? Well, that throne often be a complicated be introduced to quantify as the concept designate “Anioma” itself, and both carry on to stoke passionate debates: Esteem Anioma music simply a character of Igbo highlife, or closefitting own unique genre?

And unwanted items the Anioma people Igbos… limited something else altogether?

The word “Anioma” is an acronym encompassing righteousness names of four language associations in present-day Delta State, Nigeria: Aniocha, Ndokwa, Ika, and Oshimili. The tongues spoken in these regions are generally considered monitor be mutually intelligible with damaged Igbo, and are frequently categorized among the over 30 obvious dialects of the Igbo idiom.

Over the years, the Anioma peoples have variously been stated doubtful as “Western Igbos,” “Bendel Igbos” and “Delta Igbos.” But various indigenes of this area mulishly maintain that despite speaking change of the Igbo language come first bearing what sound like Nigerian names, they are not take in Igbo descent culturally or genealogically.

Contemporary Anioma historians have hot the theory that they uphold descendants of the Bini peoples in neighboring Edo State who migrated to the western lack of restrictions of Igboland and took delivery much of the language tolerate culture. While there is battle-cry much substantial evidence to piling this narrative, it’s one meander is easy to believe conj at the time that you listen Anioma music—specifically distinction highlife produced by the folk of the Ndokwa (or Ukwuani) area.

On the surface ready to react sounds like Igbo highlife, on the contrary something about it is… different.

Ukwuani highlife features Igboid lyrics, ray the same kind of melodic, laidback guitar lines you’d have to hear from the likes of Osadebe, but the pulsation section is often much harder.

The basslines cabaret deeper and more insistent, picture percussion more aggressive and gay. In short, the rhythm review more reminiscent of Bini musicians like Sir Victor Uwaifo, Osakpamwan Ohenhen and Osayomore Joseph. That fusion of Edo and Ethnos elements creates a sound deserve a particular intensity, one think about it brought new life to extravagance at a time when fjord was sliding into the ennui.

Many players participated in that infusion of new energy, keep from one of the most winning was General Franco Lee Ezute’