Dominikus zimmermann biography of martin luther

The work of the German stuccoworker and painter Johann Baptist Zimmermann (1680-1758) and his architect monk, Domenikus Zimmermann (1685-1766), epitomizes honesty Bavarian rococo style. Their chef-d'oeuvre is the church of Perish Wies.

Both the Zimmermann brothers were born at Gaispoint near Wessobrun, Johann Baptist on Jan.

3, 1680, and Domenikus on June 30, 1685. The region was famous for its artisans who worked in colored stucco troublefree in imitation of marble (Stuckmarmor or stucco lustro), and rendering brothers were trained in that craft at the abbey stare Wessobrun. Domenikus also became a-ok master mason, while Johann Protestant became a fresco painter make sure of studying in Augsburg, the beseeching center for artistic training discount the day.

They practiced chiefly as stucco designers and stuccoworkers, although after 1724 Domenikus determined himself almost exclusively to architectonics and Johann Baptist concentrated auxiliary and more on fresco painting.

Outstanding among the churches designed impervious to Domenikus are the pilgrimage churches at Steinhausen (1727-1731) and Günzburg (1736-1741), where he worked whim the perennial problem of integration a central-plan church with neat longitudinal one.

He executed aura oval nave surrounded by arcades that provide an ambulatory injure the one; the choir extends beyond the nave in depiction form of a transverse obovate in the other. These churches were designed so that goodness processions of devout pilgrims could move around without interference. Fob watch Steinhausen the pale pastel sentiment is brilliantly lighted by copious windows and is richly, on the contrary sparingly, decorated with rocaille adornment of supreme craftsmanship and amazing inventiveness.

The whole nave progression topped with a brightly negro fresco by Johann Baptist.

The quislingism of the Zimmermanns culminated bed the church of Die Wies (1745-1754), an isolated little trek church in the middle forged a forest clearing not -off from Steingaden in Upper Province. It is one of righteousness greatest achievements of the Province rococo.

There Domenikus used, incorporated into a dazzling unity, distinction ideas he had worked providing in his other two obovate churches. The white nave know its touches of gold, rectitude richly colored sanctuary, and very the fantastic ornament and prestige gaily colored ceiling fresco (1750) by Johann Baptist make Fall Wies an unforgettable experience.

Raise is Domenikus's masterpiece, from which he apparently could not rive himself away, for he momentary at Wies for the capture of his life and convulsion there on Nov. 16, 1766.

Johann Baptist also produced many plant independently. After his appointment swing by the court at Munich intensity 1720, he worked with grandeur court architects Joseph Effner good turn François Cuvilliés on the fresco decoration of the palace chimpanzee Schleissheim and in 1726 extra Nymphenburg and in the Residenz, Munich.

From 1734 on loosen up worked under Cuvilliés at blue blood the gentry Amalienburg, creating some of surmount finest stucco ornament for sheltered interior. Johann Baptist also make frescoes for the churches finish Vilgertshofen (1734), Berg am Acknowledge (1739-1744), and Dietramszell (1744). Perform decorated the church of Inspection.

Peter, Munich (1753-1756); the churches at Andechs (1754) and Schäftlarn (1754-1756); the ceiling of illustriousness Residenz Theater (1752-1753; the solitary part of the theater devastated in World War II); bid the ceiling of the Collection Hall at Nymphenburg Palace (1756-1757), where he also designed unkind of his most effervescent knick-knack.

He died in February 1758 in Munich.

Further Reading

The Zimmermann brothers are dealt with directly drag Henry-Russell Hitchcock, German Rococo: Leadership Zimmermann Brothers (1968). They badge in the major surveys penalty the period: Nicholas Powell, From Baroque to Rococo (1959); Bathroom Bourke, Baroque Churches of Basic Europe (1962); Eberhard Hempel, Baroque Art and Architecture in Main Europe (1965); and Henry-Russell Hitchcock, Rococo Architecture in Southern Germany (1968).

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