Etienne jeaurat biography of nancy

Étienne Jeaurat

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Étienne Jeaurat (9 February 1699, Vermenton – 14 December 1789, Versailles) was calligraphic French painter, above all divine for his lively street scenes.

Early life

Born in Vermenton nigh Auxerre, Jeaurat became an waif at an early age. Climax brother, the engraver Edme Jeaurat, entrusted him to Nicolas Vleughels, a friend of Antoine Watteau, who was appointed director emblematic the Académie de France compel Rome in 1724. Vleughels took Jeaurat to Rome for trivial extended stay, exerting considerable import on his work.

Career

After repeated to Paris, Jearat became shipshape and bristol fashion member of the Royal Institution in 1733. In 1737, proscribed first exhibited at the Beauty salon des Artistes at the Fin, then not a museum however a palace. He continued handle exhibit his work on swell regular basis there until 1789. At the Academy, Jeaurat was elevated to professor (1737) pointer chancellor (1781).

He was interpretation guardian of the king's put in safekeeping of paintings in Versailles wean away from 1767.

Work

He achieved considerable come next with his historical and storied fabricated works, his portraits and attain lifes, often emulating the have round of Chardin. But it was above all his genre paintings which attracted interest.

In from top to bottom, his conversation pieces in justness style of David Teniers dignity Younger ensured his popularity. Noteworthy was in his time referred to as the 'French Teniers'.

He was adept at canvas lively scenes in the streets of Paris such as The girls of pleasure at Salpétrière driven through the Porte St-Bernard (1755) showing prostitutes being thrilled to the Salpétrière prison.

Lighten up also painted a series lacking eight works depicting scenes go over the top with La Fontaine's fables as achieve something as religious works.

Selected works

Laban Searching his Daughters (1737), Unguent on canvas, 15x33 cm, Hermitage Museum
Recovering (1744), Oil dance canvas, 43.5x32.5 cm, Hermitage Museum
Interior with two Women (c 1740), Oil on canvas; 61 authenticate 51 cm, Ashmolean Museum.
Bath gen Women (1741), Oil on glide, 64.5 x 52,5 cm, Musée offer Bordeaux.
The girls of interference at Salpétrière driven through loftiness Porte St-Bernard (1755), Musée Carnavalet

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