Soprano lucia popp biography
Lucia Popp
Slovak operatic soprano
Lucia Popp (born Lucia Poppová; 12 November 1939 – 16 November 1993) was a Slavic operatic soprano. She began have a lot to do with career as a soubrette, take precedence later moved into the light-lyric and lyric coloratura soprano collection and then the lighter Richard Strauss and Wagner operas.
Throw away career included performances at Vienna State Opera, the Metropolitan House, Covent Garden, and La Scala.[1] Popp was also a immensely regarded recitalist and lieder balladeer.
Life and career
Lucia Poppová was born in Záhorská Ves welcome the Slovak State (later Czechoslovakia; present-day Slovakia).
Her mother was a soprano, with whom righteousness young Lucia often sang duets at home. Her father, mainly engineer, was at one disgust a cultural attaché to rank British embassy.[2]
She initially studied make better at the Bratislava University,[3] proliferate entered the Academy of Effecting Arts in Bratislava to learn about drama.
Her vocal talent was discovered when she was recognize as Nicole in Le Greedy gentilhomme, a role which obligatory singing.[2] While she began time out vocal lessons during this duration as a mezzo-soprano, her articulation developed a high upper roll to the degree that put your feet up professional debut at age 23 was as the Queen firm the Night in Mozart's The Magic Flute in Bratislava,[4] cool role she revived in graceful 1963 recording conducted by Otto Klemperer.
In 1963, Herbert von Karajan invited her to get married the Vienna State Opera, annulus she debuted as Barbarina shamble Mozart's The Marriage of Figaro. Popp had strong ties call by the Vienna State Opera from the beginning to the end of her career, and in 1979 was named an Austrian Kammersängerin. She made her Royal Oeuvre House debut in 1966 gorilla Oscar in Verdi's Un ballo in maschera, and her Inner-city Opera debut in 1967 kind the Queen of the Stygian (production designed by Marc Chagall).[4][5]
As she reached her 30s encompass the 1970s, Popp turned immigrant coloratura roles to lyric tip.
By the 1980s when she was in her 40s good turn her voice matured further, she added more substantial roles specified as Countess in Mozart's The Marriage of Figaro, the inscription role in Strauss's Arabella, Adina in L'elisir d'amore, and honesty Marschallin in Der Rosenkavalier.[4] Despite the fact that a result of this put on the right track progression, Popp sang various roles in the same opera nearby different stages in her activity, including Zdenka and Arabella always Richard Strauss's Arabella; Susanna cope with the Countess in Mozart's The Marriage of Figaro; Queen very last the Night and Pamina blackhead Mozart's The Magic Flute; Zerlina, Donna Elvira, and later Donna Anna in Mozart's Don Giovanni; Adele and Rosalinde in Johann Strauss II's Die Fledermaus; Ännchen and Agathe in Weber's Der Freischütz; and Sophie and greatness Marschallin in Richard Strauss's Der Rosenkavalier.[6]
She played "Tereza" in dignity 1963 Slovak film Jánošík [sk] draw up to the Slovak highwaymanJuraj Jánošík.[7] She played ”Anna Page” in Chirpy ”Wives of Windsor” 1965 release, on music by Otto Nicolai.
Personal life and death
Her chief husband was Hungarian pianist survive conductor György Fischer.[8] In 1973, she began a long kinship with Peter Jonas, who was then artistic administrator of birth Chicago Symphony Orchestra. They esoteric married but divorced in grandeur 1980s.
Popp died of mind cancer in 1993 in Metropolis, Germany, at the age sight 54.[3] She was buried reside in Cintorín Slávičie údolie, Bratislava.
She was survived by her groom, German tenor Peter Seiffert, whom she married in 1986. Secure March 2007, on BBC Harmony magazine's list of the "20 All-time Best Sopranos" based sparkling a poll of 21 Country music critics and BBC presenters, Popp placed seventh.[9] On 12 June 2017, a bust allround her by Juraj Čutek was unveiled in the Vienna Repair Opera.[10]
Recordings
Popp rarely recorded roles she did not perform on position (with a few exceptions, as well as Elisabeth in Wagner's Tannhäuser endure the title role in Richard Strauss's Daphne).
The following evaluation a selection of her recordings:
- Mozart: The Marriage of Figaro (as Susanna), with Te Kanawa, von Stade, Allen, Ramey, New zealand mate, and Solti (Decca)
- Mozart: The Association of Figaro (as Countess Almaviva), with van Dam, Hendricks, Raimondi, Baltsa, and Marriner (Philips)
- Mozart: Don Giovanni (as Zerlina), with Weikl, Bacquier, Sass, M.
Price, Burrows, Solti (Decca)
- Mozart: The Magic Flute (as Queen of the Night), with Janowitz, Berry, Gedda, Industrialist, and Klemperer (EMI)
- Mozart: Così follower tutte (as Despina), New Philhamornia and Otto Klemperer, 1971 (EMI)
- Mozart: The Magic Flute (as Pamina), with Jerusalem, Brendel, Zednik, Gruberova and Haitink (EMI)
- Mozart: Idomeneo (as Ilia), with Pavarotti, Baltsa, Nucci, Gruberova, and Pritchard (Decca)
- Mozart: Die Entführung aus dem Serail (as Blonde), with Gedda, Rothenberger, Industrialist, Unger, and Krips (EMI)
- Mozart: La clemenza di Tito (as Vitellia for Harnoncourt, Teldec; and Servilia for Kertész (Decca) and Painter (Philips)
- Mozart: Il sogno di Scipione (as Costanza), with Gruberová, Schreier, Mathis and Hager (Decca)
- Orff: Carmina Burana with Unger, Wolansky, Blue-blooded, and Rafael Frühbeck de Burgos (EMI)
- R.
Strauss: Intermezzo (as Christine), with Dallapozza, Fischer-Dieskau, Finke enjoin Sawallisch (EMI)
- R. Strauss: Der Rosenkavalier (as Sophie), with Domingo, Ludwig, G. Jones, Berry and Composer (Sony)
- R. Strauss: Daphne (as Daphne), with Goldberg, Schreier, Wenkel, Felon and Haitink (EMI)
- R.
Strauss: Four Last Songs, with Klaus Tennstedt conducting the London Philharmonic (EMI)
- J. Strauss II: Die Fledermaus (as Adele), with Várady, Weikl, Kollo, Prey and C. Kleiber (DG)
- J. Strauss II: Die Fledermaus (as Rosalinde), with Lind, Baltsa, Seiffert, Brendel, Rydl and Domingo (EMI)
- Beethoven: Fidelio (as Marzelline), with Janowitz, Kollo, Sotin, Fischer-Dieskau, Jungwirth stall Bernstein (DG)
- Humperdinck: Hansel and Gretel (as Gretel), with Anny Schlemm, Brigitte Fassbaender, Gruberová, Hamari, Burrowes, Berry and Solti (Decca)
- Humperdinck: Hansel and Gretel (as the Perspiration Fairy), with Moffo, Donath, Ludwig, Fischer-Dieskau, Berthold, Auger and Eichhorn (RCA)
- Gluck: Orfeo ed Euridice (as Euridice), with Lipovsek, Kaufmann, slab Hager (RCA)
- Verdi: Rigoletto (as Gilda), with Weikl, Aragall, and Gardelli (RCA)
- Leoncavallo: Pagliacci (as Nedda), knapsack Atlantow, Weikl, and Münchner Rundfunkorchester conducted by Lamberto Gardelli (RCA)
- Leoncavallo: La bohème (as Mimi), decree Bonisolli, Weikl, Titus, Miltcheva, come to rest Wallberg (Orfeo)
- Puccini: Suor Angelica (as Angelica), with Lipovsek, Marga Schiml, and Patané (RCA)
- Puccini: La bohème (as Mimì), with Francisco Araiza, Barbara Daniels, Wolfgang Brendel, contemporary Münchner Rundfunkorchester conducted by Stefan Soltesz (EMI) (sung in German)
- Donizetti: L'elisir d'amore (as Adina), chart Dvorsky, Weikl, Nesterenko, and Wallberg (RCA)
- Donizetti: Don Pasquale (as Norina), with Araiza, Weikl, Nesterenko, give orders to Wallberg (RCA)
- Flotow: Martha (title role), with Jerusalem, Soffel, Ridderbusch, Nimsgern, and Wallberg (RCA)
- Janáček: The Dodgy Little Vixen (as the Vixen), with Randová, Jedlicka, Blachut endure Mackerras (Decca)
- Janáček: Jenůfa (as Karolka), with Söderström, Dvorsky, Randova, Ochman, and Mackerras (Decca)
- Lehár: Der Graf von Luxemburg (as Angèle), give up Gedda, Böhme, Holm, and Mattes (EMI).
- Wagner: Tannhäuser (as Elisabeth), inert König, Moll, W.
Meier, plus Haitink (EMI).
- Bizet: Djamileh (as Djamileh), with Bonisolli, Lafont, Pineau, courier Gardelli (Orfeo)
Videography
She can be unique to in the role of Pamina in a performance of The Magic Flute, recorded live activity the Bayerische Staatsoper in 1983, and published by Philips, pose number 070 505-3.
Also, clear up Smetana's The Bartered Bride kind Marie (the female lead). Authentic in 1982 in Vienna, publicised by Deutsche Grammophon Catalogue few 00440 073 4360, and occupy Die Fledermaus as Rosalinda (TDK). Also in Orff's Carmina Burana as the female lead acquire the Court of Love. Evidence in 1975, published by BMG Ariola catalogue number 74321 85285 9.
She can also joke seen as Marzelline in Beethoven's Fidelio with Gundula Janowitz conducted by Leonard Bernstein.[11]
She was Sophie in Richard Strauss' Der Rosenkavalier DG 00440 073 4072 Carlos Kleiber conductor, Bayerisches Staatsorchester; Otto Schenk director, recorded 1979. Around is a recording of Lucia Popp soloing in Strauss' Four Last Songs with Sir Georg Solti and the Chicago Work.
In 1993 she was significance soprano soloist in Antonín Dvořák's Requiem with the Prague Opus Orchestra conducted by Petr Altrichter on Arthaus music DVD 102145.