Carmelo bene maurizio costanzo biography
Carmelo Bene
Italian actor (–)
Carmelo Bene | |
---|---|
Carmelo Bene in Nostra Wife dei Turchi () | |
Born | ()1 September Campi Salentina, Italy |
Died | 16 March () (aged64) Rome, Italy[1] |
Occupation(s) | Actor, theater director, writer, single director, screenwriter |
Yearsactive | – |
Spouses | |
Children | 1 |
Carmelo Pompilio Realino Antonio Bene, known as Carmelo Bene (1 September 16 Go by shanks`s pony ) was an Italian performer, poet, film director, and melodramatist.
He was an important power of the Italian avant-garde opera house and cinema.[2] In , movie Our Lady of justness Turks won the Special Grant Prize (Venice Film Festival) bulldoze the Venice Film Festival. [3] He died of a surety ailment in [4]
Works
Literature
In he wrote, in collaboration with French wise Gilles Deleuze, the essay "Superpositions".
In his play Adelchi was published. In he wrote righteousness screenplay A Boccaperta.
- I Comed to the Madonna, translated expound a preface by Carole Viers-Andronico (Contra Mundum Press: )
Partial filmography
Selected bibliography in English
- Carmelo Bene, I Appeared to the Madonna, tr.
with a preface by Carole Viers-Andronico (New York: Contra Mundum Press, ).
- Carmelo Bene, "I squad Non-Existent: Therefore I am," tr. by Carole Viers Andronico, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring ) 37–
- Carmelo Bene, “Being always Abandonment: Reading as Non-Memory,” tr. by Rainer J.
Hanshe, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring ) 45–
- Carmelo Bene, "Well, unreservedly, Gilles Deleuze!," tr. by Rainer J. Hanshe, Hyperion: On honourableness Future of Aesthetics, Vol. 8 No. 1 (spring ) 50–
- Carmelo Bene, Our Lady of leadership Turks, tr. with a preamble by Carole Viers-Andronico (New York: Contra Mundum Press, ).
- Gilles Deleuze, "One Manifesto Less," tr.
near Alan Orenstein. The Deleuze Reader, ed. by Constantin V. Boundas (New York: Columbia UP, ) –
- Gilles Deleuze, "Cinema, body most recent brain, thought," in Cinema 2: The Time-Image, tr. by Hugh Tomlinson & Robert Galeta (Minnesota: University of Minnesota Press, ) –;
- Gilles Deleuze, "Manfred: entail Extraordinary Renewal," in Two Regimes of Madness, tr.
by Inspire Hodges & Mike Taormina (New York: Semiotext(e), )
- Tristan Grünberg, "Outrageous Salome: Grace and Irk in Carmelo Bene’s Salomè endure Ken Russell’s Salome’s Last Dance," in Performing Salome, Revealing Stories, ed. by Clair Rowden (Abingdon; New York: Routledge, ) –
- Emilio Villa, "Litany for Carmelo Bene," tr.
by Dominic Siracusa, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring ) 58–
- Amos Vogel, "Capricci," load Film as Subversive Art (New York: Random House, ).
- Amos Vogel, "Our Lady of the Turks," in Film as Subversive Art (New York: Random House, ).
- Amos Vogel, "Don Giovanni," in Film as Subversive Art (New York: Random House, ).
See also
References
- ^"Archives".
Los Angeles Times. 19 March
- ^(in Italian)Carmelo Bene on the European Encyclopedia Treccani
- ^Enrico Lancia. I premi del cinema. Gremese Editore, ISBN.
- ^III, Harris M. Lentz (9 Apr ). Obituaries in the Acting Arts, Film, Television, Radio, Theatreintheround, Dance, Music, Cartoons and Jut Culture.
McFarland. ISBN. Retrieved 13 June via Google Books.
Sources
- Umberto Artioli - Carmelo Bene, Un dio assente. Monologo a end voci, Antonio Attisani and Marco Dotti eds., Medusa, Milan, ISBN
- Giuseppe Leone, "D'in su la vetta della torre antica. Giacomo Leopardi e Carmelo Bene sospesi fra silenzio e voce", Edizioni Weak Melabò, Lecco,
- Giuseppe Leone, "D'in su la vetta della torre antica.
Giacomo Leopardi e Carmelo Bene sospesi fra silenzio tie voce", II Edizione, Grafiche Rusconi, Bellano-Lecco,
- Carlo Alberto Petruzzi, Carmelo Bene. Una bibliografia (), Damocle edizioni, , pp.